Oh, Chloe. Chloe is a girl from Atlanta, Georgia. Most girls from there, like most girls from anywhere in the Western world, just have ‘schoolgirl’ on their resumé when they get to her age, but she’s not really like them: she already has teenage assassin, perpetually adolescent vampire, daughter with a dark secret (several times over) and gun toting rape-surviving runaway. At home though, with Trevor, she’s none of those things. She’s just Chloe, at what she calls ‘my own normal 14′. She looks ‘normal’, by the skin of her teeth, but she leans firmly in the direction of preternaturally striking; her goofy-growing-into-beautiful features are topped off by a mile of doll’s hair left in from the role she’s in the middle of filming for Tim Burton’s movie adaptation of cult Sixties TV show Dark Shadows, and she’s got a massive T-shirt on which she untucks from her shorts and braces so that she can read its slogan aloud. ‘Magnif… I forgot what it says. Not magnificent… yeah that’s it, magnifique.’

Fourteen, or thereabouts, is how old Jodie Foster was when Scorsese’s Taxi Driver came out and thrust her into a whirlwind of controversy over her role as preteen hooker Iris. Like Foster, Chloe’s just had the chance to prove her serious actor mettle, with her role as Luli McMullen, a small town girl who runs away with a bit of stolen money and a .45 to face the ordeals of a life on the road in Derick Martini’s new number, Hick, and like Foster Chloe’s got a role with Scorsese too, albeit a more innocent one as Isabelle in an adaption of Brian Selznick’s illustrated historical novel The Invention of Hugo Cabret. It might not be a role at the Foster level of intensity — there’s no drugs or sex or really short shorts — but it was a hard enough role for her to impress Scorsese nonetheless. ‘Working with Chloe was a joy,’ he tells me. ‘She has a powerful charisma; you can’t not watch her, and she’s absolutely focused when she needs to be. And, something rarer, she has an innate sense of emotional honesty. She’s a star, and she also does the work.’ He’s Martin Scorsese (‘Martin Scorrrr-sayyyyyyy-zeeee,’ as Chloe says it when she kind of can’t believe her luck). He doesn’t say that stuff about all the girls. In the past Chloe has preferred to compare herself to Natalie Portman, who was also about her age when she broke through in Leon, and in terms of prodigious talent it’s as fair a comparison as Foster. As far as comparisons to actors that have done what Chloe does at her age as well as she does it go though, those two are pretty much it. Which means, to cut to the chase, that Chloe Moretz at 14 is a pretty unusual creature.

Made more so by the fact that, unlike the swathes of teenage ‘stars’ that have been bouncing out of the Hollywood smile machine lately, Chloe, somehow, seems to have driven the whole thing herself. This is a pretty important fact when it comes to considering her as ‘her own normal 14′. Foster and Portman aside, the obvious thing you might worry about when you think about child stars is their tendency to grow up to become adult messes. To look at it on paper you could easily assume that Chloe, already famous, about to be huge, taking on roles that actors ten years older than her would flinch at, would be just a few years and a bit of bad advice away from spewing out her contribution to the Xanax-alcohol-stolen-jewellery-up-skirt-pap-shot collective cocktail of former-child-star degeneration. Luckily, however, and brilliantly, Chloe’s experience seems to be entirely bereft of the stuff that those kinds of nightmares are made of. There’s no troubled back-story, no high-pressure publicity monsters (as far as I can tell her public image is mainly looked after by her mother and Trevor) and most significantly, no sociopathic stage parents with dollar bills in their eyes.

Her family, she says (many, many times), are like her, ‘normal’. Her parents aren’t in the movies: her dad’s a surgeon; her mum’s a nurse, and neither of them were really even into her doing any of this. ‘My parents kind of think this business is weird,’ she says, ‘and it is. It’s totally backwards. I mean my mom is really behind me whatever I want to do. She’s there to keep me stable if I want to keep going, and she’s behind me if I want to stop, but everything Mom does is just to keep me well rounded. My whole family, especially Trev and Mom, tell me that every day.’

And you don’t feel like you’re missing out on being a teenager?

‘Are you kiiiidding? It’s not like I miss being 14 or something, because I’m 14 every day. I still get grounded. They make it very apparent that I’m just a normal girl, and if I ever started behaving like it was anything else I’d be out of the business in a flash.’ I’m tempted at this point to launch a ‘when I was your age…’ projectile extolling the virtues of being a nightmare when you can be, but it makes me feel old and seems kind of inappropriate, since she’s so perky, so I shut myself up.

Chloe got into ‘this business’ kind of by accident, when Trevor, then 16 (Chloe six) got accepted to a performing arts high school. He’d come home and read his monologues and Chloe would overhear and copy them (‘just by listening. You know, at six you can’t really read very well’) until, eventually, she announced that she wanted to ‘do what Trevvy did’ and, with his help, cajoled Mama Moretz into letting her have a go. ‘No one told me to do that, I just did it and I really liked it,’ she says, with a sense of earnestness that you should assume she has whenever she’s talking about these things. ‘It’s what I love. If I didn’t love it, it would be a pain to have to go to all these places and do all this, and to do things like this all the time. No offence.’

None taken. So you’re telling me that you expected all of this to happen when you were six?

‘No. I mean, you don’t expect, but you hope and pray and you just kind of go with it where it goes.’

When she says stuff like that, sounding like she’s lived a lot longer than she has, she does it in a way that is somehow not annoying: she doesn’t do it in the pretentious way some 14-year-olds do when they want to seem mature or cool or whatever, or in the manner of a School of Disney media training graduate; just in a way that belies that actually, whether it’s through stuff she’s learnt on the job or elsewhere, she has a kind of smartness, a way of just ‘getting it’ that’s as unusual as her talent. For example when she’s talking about her role as Abby in Let Me In, she’s all ‘I just had to research and get really into what she’s thinking. She knows she can’t trust… She has to be deceptive and doesn’t want to be… She loves people but she uses them.’ Or about Derick Martini, she says, ‘He is the next Scorsese of our time,’ and if you laugh, she follows it with, ‘But I can say that because I have worked with Scorsese. I’ve personally never done anything as emotional as my role with Derick. It’s probably the deepest character I’ve ever been to, but in between takes I leave it behind. In between shots I get normal. It’s always been easy for me because I have a normal family and it’s easy for me to break out of those situations. You get really thankful for who you are; especially doing Hick, I got really thankful who I am and the life I had, and how blessed I am to be able to do this and have a normal family.’

She’s being normal again. She has a long list of normal things she normally does to be normal (cooking with her mum, fighting with her brothers, ‘just chilling out being a weirdo. Good weird, as in fun weird’) and it’s important because, despite what she says and without wanting to state the obvious, most of what happens to her is really not that normal at all, even the things that happen off set, and all this being ‘normal’ seems to give her a pretty good armoury to deal with them.

For example, once she was ambushed by paparazzi arriving home from a premiere. Trevor fought them off (‘he’s six-four and really strong, so I felt pretty safe’) and since they then knew where she lived the family decided they should move, which sounds like a major upheaval, but she’s on the move all the time. ‘Between my family and my teacher, who I’ve had for like six hours a day for the last nine years, I think I have a good amount of stability’ she says. She adds a casual ‘I mean, guys, come on, this should be illegal right now, I’m a minor’, but really, she doesn’t think it’s that bad — the main drawback of being of interest to the paps is the way it impacts on her social life. ‘Like, if I don’t want to see a friend I’ll say, “Oh, I’m just really… I’m tired, I’m staying home. I’m not going to do anything today, I don’t feel like going out”. and then me and my mom will go to central city or something and then “chickgwoaaaan!” there’s a picture of me. My friends will be like, “Oh. So you stayed home today.” Ermmmm. Yeah. So I can’t really lie. And one time I went to Six Flags with my friends. We were having so much fun and I was a complete mess. you know, we’d been on a couple of roller coasters. It was me and my two best friends and my brother Colin, and it was this big endeavour to drive all the way from LA to Six Flags and we got there and we’re riding all of these roller coasters, and it was the first time I had ever been on a huge roller coaster. I had just come off Goliath and then Tatsu, which is crazy and spins and stuff. and I’m standing there with my friends and we’re talking and all I see is this flash. I look aside and there’s this guy standing there taking pictures of me. I didn’t say anything, but it’s like, at least ask. I’m glad to give you a picture if you ask me, but you know. I don’t want one of me half way through talking just off a roller coaster looking all… And then he was laughing with his friends about taking the photo and it’s not funny.’

OK, it’s not, but if a dodgy picture at Six Flags is as bad as it’s got, the protecting that her family do that she’s so keen to emphasise is obviously doing its job pretty well. ‘Yeah, I don’t feel like I have any pressure on me from my family or outside or anything,’ she says in response to a comment along those lines. ‘I feel like I can just do what I love because love it: if I want to college, which I do, to study art history, I can go and not worry about looking for a career. I can go and do something I love just to do it. It’s all very light, I feel like I have a lot of lightness on me if that makes sense,’ she says, before adding, ‘I’m just really well guarded, probably more than most 14-year-old girls.’

To that end she didn’t watch some of her own movies, like The Amityville Horror, in which she was possessed by evil spirits aged seven, until recently; she’s desperate to go and see Lady Gaga live (even though she thinks Fame Monster is way better than Born This Way. She can dissect each song almost scientifically, as she can with both of the Adele albums and Skrillex’s offerings) but Trevor still thinks some of the stage show it is ‘too risqué’; she’s not allowed to go on dates. When I ask her about boys she kind of curls herself up and cackles, ‘Oh my gosh, I’m fouuuurteenl I see enough of boys from my older brothers. There’s four of them so, you know, that’s enough boys in my life.’ Trevor, who’s been in the next room throughout this whole thing, shouts over, ‘Maybe you can go on a date next year, Chlo, you don’t need to be doing that just yet.’ I feel like a jerk for asking, and understand why every other interview I’ve read with her asks a more innocent version of the boy question like, ‘So, do you have a crush on Justin Bieber?’ She used to, if you’re interested, though I had assumed she would have hated him. She stops herself mid-sentence when I say that. ‘I do. Oh wait! I didn’t mean that… I mean, I don’t. His story of how he got where he is, that’s cool. I went to the premiere of his movie and they have videos of him when he was a baby drumming on seats. It seems like he was a prodigy.’ Later (we’re still on the subject) she adds, ‘But of course I wouldn’t criticise him. There’s lots of paths to take and, you know, who I am to criticise someone who hasn’t taken the same one as me.’ I, once again, feel like a bit of a jerk.

Not that she’d want me to — I don’t think it would even cross her mind to make a person feel bad (at one point she says, ‘If I said something about someone I didn’t know and they read it and were offended, that would just be the worst’), but because, despite her protestations, she’s not ‘normal’, she’s exceptional. She’s innocent and energetic. She’s exactly what it says on her T-shirt, and she’s intensely aware of the road ahead of her. ‘So many things could go wrong with my career,’ she says, kind of as a final refrain to her normal chorus. ‘So much stuff could go wrong. I could go completely haywire, and my family try to stop that from happening. But I don’t think I have it in me to go haywire. I don’t think I’ll go crazy. I hope not. I don’t want to go crazy. If I wanted to stop I could. But I don’t.’

The 14-year-old actress not only won one popcorn statue at the 2011 MTV Movie Awards – she won two!

She won Biggest Badass Star for her work as ‘Hit Girl’ in Kick-Ass and Best Breakout Star for Kick-Ass and Let Me In.

Check out the video below of Chloe in London – she’s overseas filming Tim Burton’s new gothic-horror tale Dark Shadows alongside Johnny Depp.

“Thank you soo much to everyone who voted for me at the @MTV #MovieAwards <3," Chloe tweeted. “i love my fans sooo much and can’t thank you all enough! xoxoxox.”

Source: JustJared

From everyone at ChloeMoretz.com, we’d like to wish her a very happy birthday!

BEST YOUNG ACTOR/ACTRESS
Elle Fanning – “Somewhere”
Jennifer Lawrence – “Winter’s Bone”
Chloe Grace Moretz – “Let Me In”
Chloe Grace Moretz – “Kick-Ass”
Kodi Smit-McPhee – “Let Me In”
Hailee Steinfeld – “True Grit”

VOTE FOR CHLOE TO WIN

“Thirteen-year-old Chloe Grace Moretz was nominated in the best young actor/actress category twice for Let Me In and Kick-Ass.”

Source: Hollywood Reporter

This past weekend, Sally Singer‘s T featured 13-year-old Chloë Grace Moretz, star of Kick-Ass and the forthcoming The Fields styled in a Wren tunic (Moretz wore it like a dress). She wore Chanel Resort to her last awards show. In Milan this past season Willow Smith made the rounds with mom Jada, sitting front row at Dolce & Gabbana, Ferragamo and Emporio Armani. And Emma Watson, a college sophomore, can do no wrong on the red carpet. Bloggers Tavi Gevinson and Jane Aldridge have proven that style doesn’t necessarily come with age or fame.

There are countless other stylish stars (movie and internet) who can’t legally drink but dress better than me. Here are our top 10 mini trendsetters.

Source: Fashionista

The 13-year-old actress admits she is often confused with her ‘Kick-Ass’character, foul-mouthed assassin Hit Girl, and is subjected to some bizarre requests from fans.

She said: “I’ve had people be like, ‘Hey hit me! Hit me in the face,’and I’m like, ‘No, I really don’t think I should do that.’”

Despite turning down the requests for people wanting to be punched, Chloe insists she can be tough, particularly if someone has upset one of her friends.

She told BANG Showbiz: “I’m tough, somewhat. I defend my friends you know, but I don’t go round hitting anyone or anything.”

Though Hit Girl notoriously uses foul language in ‘Kick-Ass’- which also starred Nicolas Cage – the teenage star is banned from swearing at home.

She said: “Do I swear at home? Oh no, my mom would totally kill me, I’d be grounded for the rest of my life if I swore at home.”

Source: AskMen.com

Chloe Moretz still has strict parents.

The 13-year-old actress insists she gets treated just like any other teenager and even gets her favourite possessions taken away from her if she does something wrong.

She said: “I stay grounded through my family – my brother Trevor and my mum come everywhere with me.

“My mum makes sure I’m kept in my place – I just got my computer taken away. She’s strict.”

Chloe also revealed she became interested in pursuing an acting career after helping her brother with his performing arts school homework.

She said: “I got into acting through my brother Trevor – he was accepted into a performing arts school in New York and I caught the bug when I was running through lines with him. Now he’s my coach.”

Despite insisting she is a normal teenager, the ‘Let Me In’ star admits her life has got “weirder” since she found fame.

She added: “Life is definitely a little bit crazy. There are more weird fans, more paparazzi.

“I’m cool with it on the red carpet, but when you’re in the car and a camera is shoved against the window and you can’t see – that’s when it’s a bit dangerous, that’s when I get freaked out.”

Related video:

It feels strange to come away from a half-hour chat with a 13-year-old girl feeling like you’ve survived a rigorous mental workout, but Chloe Moretz, sweary star of Kick-Ass and child vampire of Let Me In, keeps you on your toes. Waiting to go into a plush drawing room in a London hotel, there’s talk of Chloe hating her new hair, cut into a bob for a role in Martin Scorsese’s latest, Hugo Cabret. It adds fuel to a lazy half-suspicion that I’m about to meet a precocious Hollywood brat, like the hyperactively PR-savvy Macaulay Culkin that appeared on Wogan in 1991. But once we start to talk, it’s apparent that she’s whipsmart and funny, going off on tangents, obsessing over couture fashion, and delivering laconic answers with an air of arch amusement. Of the time she hung out with Brad Pitt: “It was amazing, but I was like, ‘Brad, where’s Angie?’” And on the subject of celebrities’ secret hair extensions: “Boom! It’s magical Hollywood magic. She has long hair overnight. I wonder where that came from?”

Chloe may sound a little old before her time, but then she has been in the business since she was five. Right now she’s combining promo for Let Me In with shooting the Scorsese film in London, though she had a break to attend pop culture convention Comic-Con in San Diego, from which she’s just flown back. “I went for Kick-Ass last year, so it was same song, second verse. Last year I was unknown, but now everyone’s like, ‘You were great in Kick-Ass, what’s going on now?’ It’s a little bit easier to have talking points.”

Though she started out with smaller roles in The Amityville Horror and (500) Days Of Summer, Kick-Ass is where Chloe made her name, as the ultraviolent superhero Hit Girl who drops the “C-word” in one of her earliest scenes, and slashes up baddies with precision and glee. She was 11 when she filmed it. “But it’s in context to the character,” she says. “All she knew was these films with cussing and shoot-’em-ups.”

The film that took her to Comic-Con a second time is Let Me In, the inevitable Hollywood remake of the Swedish hit Let The Right One In, about the eerie, beautiful friendship between a bullied schoolboy and a 12-year-old vampire. Chloe admits that it’s a hard film to define, but has a stab at it anyway. “It’s romantic, it’s horror, there’s blood here and there, and there is some comedy in it, but at the same time you’ll cry and have a sad smile on you face. So,” she pauses for breath, “it’s like a crying, happy, smiley, sad, blood, not blood, romantic thing.”

Its central characters may be kids, but Let Me In is a grown-up film with flashes of brutality not dissimilar to those in Kick-Ass – although it’s more about sadness than celebration. You imagine it was more of a challenge for Chloe to play the vampire Abby with such an impressive world-weariness and resigned horror at what she is and how she must behave to survive. That, and the fact that director Matt Reeves stayed largely faithful to the smalltown inertia of the original by moving it to a surprisingly snowy region in New Mexico. “I was completely barefoot in the snow,” Chloe says. “Nothing on my feet. Thankfully there are two scenes with boots on … I had about 16 socks on.” Are there not labour laws against that kind of thing? She laughs: “I did it willingly.” She didn’t watch the original so as not to influence her interpretation of the character. “We wanted a fresh take on it,” she explains. “But also, my mom wouldn’t let me.”
‘A lot of people out there are fake and want to be your friend, just ‘cos you’re in the movies … treat me like a normal 13-year-old girl’

When she talks about acting, Chloe almost always says “we” instead of “I”. Who does she mean? “Me, my brother and my mom.” Her older brother/acting coach Trevor is currently sprawled across an armchair in the corner of the room, “supervising” our interview, but he’s mostly on his BlackBerry, ignoring us. “My mom usually reads all the scripts to begin with, then she gives them to Trev, and if they think it’s what we’re looking for, they give me the synopsis and I go, ‘Cool! Let’s do it!’” Her family travel with her everywhere, Trevor especially, and it seems to play a big part in keeping her normal. That, and the fact that she attends “a real school” when she’s at home, “so I can go to graduation or prom or whatever.” She says history is her favourite subject, though she’s learning French at the moment, and treats me to a quick lesson in conjugations (swimming, drinking and eating – all useful knowledge).

So far, so normal, except the fame thing has already brought its hangers-on, even at 13. “There’s a lot of people out there that are fake and want to be your friend, just ‘cos you’re in the movies and stuff and it will give you higher social cred,” she says, a touch sadly. “When you go to birthday parties there are always people that are like, ‘Can I be your friend? Can I have your phone number?’ No, you know? Treat me like a normal 13-year-old girl, like I am, and I’ll treat you like a normal person.” Then, for no reason, we start talking about The Vampire Diaries and how she got starstruck at Comic-Con when she met the lead actress. “There’s Nina Dobrev, and I’m like, ‘Oh my god!’ I looked at her and she smiled at me like, ‘I don’t know who you are, please don’t hurt me.’ Then of course, there’s Ian Somerhalder …” At this point, she semi-swoons. “It’s kind of creepy ‘cos he’s older than me, but hey, it’s OK. It’s love. Age is just a number.”

I make the mistake of asking if she’s a Twihard, an obsessive fan of the Twilight movies. “My friends really love it,” she says. “But I’d say that, just as a hint, I watched season two of the Vampire Diaries, the whole season, in two days.” We talk about fashion a lot, as she mentions that she’s a big fan of the 14-year-old Style Rookie blogger Tavi Gevinson. “She’s our favourite,” shouts Trevor, “she’s so chic, we love her!” Chloe insists she wants to meet her, “So if she reads this, come tweet me.”

Then she spins off on a tangent about how she has a small colony’s worth of followers on Twitter and what she should do with her empire: “The island’s going to be made out of shredded Givenchy cloth.” However, these plans for “the United States of America Two” are quickly scrapped, because “I don’t think my mom would approve of me starting a colony”, and it’s time to wrap up.

And at the end of all that, it turns out she does like her hair in a bob after all. “It’s great,” she says. “It’s a different look.” So, Chloe Moretz: definitely not a Hollywood brat. “But I am going to have long hair again, right after this film.”

Source: guardian.co.uk

How times change. This Halloween, girls, big and small, only wanted one costume for dress-up: Hit Girl from Kick-Ass. A potty-mouthed, 11-year-old trained assassin described by her creator, Mark Millar, as ‘John Rambo meets Polly Pocket’, Hit Girl, as brilliantly embodied by Moretz, hit the headlines the second the young actress uttered the line ‘OK, you c***s. Let’s see what you can do now!’

‘A couple of fans have been, like: “Can you say it?”’ grimaces Moretz with embarrassment, ‘and I’m, like: “noooo!” It worked for the character but I’m not Hit Girl, I’m Chloë. And they’re, like: “Can you hit me? Go on, hit my arm, Hit Girl. Give me a bruise!”’

What’s most surprising is that Moretz’s otherwise demonstratively protective family, who won’t let her see 15-cert movies – not even Let The Right One In, the Swedish vampire romance whose remake she is currently starring in – would let their daughter yell the c-word in one. ‘They asked my brother, Trevor, first, because he’s my acting coach,’ explains Moretz, nodding to what looks like the eldest Von Trapp child lurking quietly behind me. ‘And he was, like: “Ask Chlo – it’s really up to her.”

‘So I said: “Well I’ll only say it once, and I’m not going to emphasise it.” Of course, as Chloë, I would never in a million years ever say that word.’ Of course not, I say, glancing at Trevor. ‘Does it not get inhibiting having your mother and brother on set all the time?’ I mutter.

‘It actually helps a lot,’ she insists, ‘because they’re there for me, you know? My brother is my crutch, without him I don’t know how I’d make decisions.’ Given that Moretz is now a teenager, how long this harmonious arrangement will last remains to be seen. At the moment, Trevor, aged 24, is in full-time charge of her career. He gets first refusal on every script. ‘If I like it, I tell Mom to look at it and then if Mom likes it too we’ll bring it to Chloë,’ says Trevor. ‘We figured out we tend to go for quirky or weird or heavy stuff because we are all pretty happy, so it’s more fun to portray crazy stuff that’s nothing like our everyday lives.’

And enough respect to Team Moretz for the roles they pick. Whether it’s Hit Girl or the smart-mouthed little sister in off-beat romcom (500) Days Of Summer, these unusual characters display a knowledge that seems way beyond their pubescent years – literally in the case of Abby, Moretz’s latest role, the profoundly lonely, savage, 200-year-old little vampire of Let Me In. ‘Little kid roles aren’t very interesting for me,’ Moretz says. ‘I like picking roles that will stretch my emotional boundaries; that will let me express emotions I can’t express as Chloë.’

When Moretz talks like that it’s easy to forget this poised, styled, beautiful female sitting in front of me is just 13. Of course she shouldn’t read every script, nor be unaccompanied on set, nor ‘hang out on the streets with my friends’ (her personal bugbear). Moretz’s mother even took her phone away recently until ‘I calmed down’ on the Tweeting. ‘My parents are definitely stricter than they were with my brothers,’ she groans. ‘No way!’ protests Trevor. ‘We didn’t get away with half the stuff you do!’ It’s all normal brother-sister banter and, though that teenage time bomb is ticking, here’s praying that, in a few years, Moretz won’t be doing a Lindsay Lohan. Rather, her role model is original hit girl Natalie Portman (‘I’m not allowed to see the whole of Léon but I’ve seen parts’).

In the meantime, she’s in the midst of shooting Hugo Cabret, Martin Scorsese’s first 3D film, which she’s ‘psyched’ about, even though she knows the acclaimed director pretty much by reputation only. ‘You’ve seen Aviator,’ Trevor says. ‘Yeah,’ she pouts, ‘but you won’t let me watch Taxi Driver! I wish, I really wish… but I’m not allowed.’

Let Me In is in cinemas from Friday.

Source: Metro

NOTE: If you want to contact Chloe, @ChloeGMoretz and her blog are currently the only official ways to contact Chloë Grace. Any others, unless posted and confirmed here, are posers.

“Kick-Ass” star Chloe Moretz has become the victim of a callous computer hacker who tampered with her Facebook and Twitter accounts after a break-in at her home.

The teenage actress had a massive impostor problem after her home was burgled recently.

She tells Entertainment Weekly magazine, “They stole all my pictures, my Twitter, my Facebook (was hacked). We got broken into, and I got my computer stolen and my iPad, so I have fake everything now.”

And Moretz has discovered that fame as a child star comes with freaks and stalkers.

She adds, “I got this weird stalker person in France, and he followed me into the hotel and said all this stuff to me. I was really freaked out and I didn’t go out of the house for two days.”

Source: Starpulse